How to Draw a Possum

January 27, 2012
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Possum is the collective name of almost 69 species of marsupials in Indonesia, Australia, and New Guinea. They are tree-dwelling animals of small stature that belong to the Phalangeroidea Family. The species vary greatly in size. The smallest Pygmy Possum has approximately 6.4 cm long central body and 7.1 cm long tail. Bear Cuscus, the largest species, has 61-64 cm long body with almost 58 cm long tail. These animals are active at night and have different dietary needs. There are all types of varieties – herbivores, omnivores, nectar-feeders, etc. Certain subspecies have a specific preference for eucalyptus leaves. Possums are territorial and are usually troublesome for humans. Like rats, they are notorious for destroying crops and stored edible material.

Drawing a Possum: Possums do not have very complex body structures and are simpler subjects to draw. Go through the following guidelines that apply on the collection as a whole:

• Model: Pick an appropriate picture that can be used as a model for your work. Since, there are almost 69 different species, do some research before taking your pick. You may look into libraries for science books, magazines, or journals. Occasionally, such images may be obtained from the newspapers. However, the internet perhaps has the largest collection of possum pictures. More likely than not, these animals are caught on the some tree branches – moving, eating, or resting.

• Basic framework: This step involves using some basic geometrical figures to create a skeletal sketch over which, the details will be brought out. A freehand drawing will do the job. Keep the ratios and sizes in mind, as you may not be able to do so later. Take a circle for the head portion and oval for the central body. Use angular double lines for each of the limbs and tail. This structure may change significantly among the varieties. For instance, an oval for head is more suitable in case of a Northern Brushtail Possum. Its snout appears more like an extension of mouth region, rather than as a distinct structure. On the other hand, Sulawesi Bear Cuscus has a more cup-like design, while that of a Honey Possum is very long and pointed.

• Outer shapes: The next step is to add all the relevant details to the physical features of the possum. For each part, start with the outermost contour and move inwards. For example, create the eye sockets and lids before defining the eyes. As mentioned in the previous stage, the type of species will have a strong bearing in this stage too. The limbs of possums are usually thick. However, they may taper (Common Brushtail Possum) or may remain uniform (Sulawesi Bear Cuscus). Follow your model image as closely as possible to avoid missing out any important details.

• Finishing: In most of the varieties, the fur is short, thick and varies in color. Defining the fur may be a time consuming exercise, whether it is a color drawing or a pencil work. Do not try to use much imagination. Let the reference picture be your guide.

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Ballet Dancing and the Positions of the Arms (Port De Bras)

January 21, 2012

In ballet dancing the carriage of the arms is called Port de Bras. Beautiful arm lines in ballet are just as important as turnout, as the look of ballet dancing can be totally ruined by misplaced or ugly arms. There should be no strain showing in the arms or hands while a ballet dancer is dancing, and there should always be a natural curve in the arms with no sharp angles. The middle finger acts as a natural extension of your arm line and the fingers should never point.

There are slight variations of the arms in all the different syllabus types, but the positions below are the most recognised in classical ballet dancing.

Bras Bas:

In this position the baby fingers are just touching or slightly away from the upper thigh. The arms are curved with the fingers slightly apart and the hands not touching. The elbows are supported, but not angular and the shape is oval. This is the most used position in ballet dancing and it usually precedes all the movements at the barre or in centre practise.

First Position:

The ballet dancer hold her arms lightly curved downwards from the shoulders with the fingers held a few centimeters apart making a natural rounded shape from the shoulders.

Second Position:

Your arms should be held out to the side in a natural sloping line from the shoulders. The curve must stay soft with a feeling of continuing length rather than stretching out. Take care not to drop the elbows.

Third Position:

Your one arm is in first position, and the other is in second. Arms should remain below the shoulders and take care to support your elbows.

Fourth Position:

One arm will remain in second position, and the other is raised above the head in a natural curve with the hand held softly.

Fifth Position:

Both arms are raised in a curved and lengthened position above the head, and the hands remain a few inches apart. The dancer should take care not to lift the shoulders. In all the arm positions, there must be a smooth line as the arms continue through the hand right through to the sensitivity in the fingers.

The carriage of the head, neck and shoulders are also very important to achieve the overall noble bearing and creating an all over harmonious picture. Eye line is also important and should express what the dancer is trying to show and her inner feeling.

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Life of an Inventor: Bud Wisecarver, P. 8

January 11, 2012

PART EIGHT: The Toolmaker — Bud talks about the change in America after Pearl Harbor, women in the workforce, small machine shops and the importance of future toolmakers and machinists. American Toolmaker Bud Wisecarver, co-founder of Bishop-Wisecarver, is the original inventor of double angular contact bearing technology — also known as, DualVee Guide Wheels. It all started in Bud’s machine shop sixty years ago. We hope you will enjoy Bud’s story via “Life of an Inventor”.

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Tongtai TGL-15 Inverted Spindle CNC Turning Center

January 9, 2012

The Tongtai TGL-15 is a high speed, high precision inverted spindle CNC turning center. The machine features “built-in automation” as the spindle travel is used to pick up and deposit parts from the parts stocker, eliminating the need for additional part handling equipment. The rugged machine from is cast from Meehanite grade iron. Precision linear ways and large servo motors provide ultra fast rapid traverse rates and super accurate positioning. The surface to which the linear way is mounted is hand scraped to ensure the ultimate in fit and precision. The coolant tank is separate from the machine base to prevent heat transfer from the coolant to the machine casting which ensures precision and promotes easy clean out and maintenance. To further ensure accuracy and precision, the ballscrews are double nut type and pretensioned to eliminate thermal growth. The machine features a compact design to consume the minimal amount of valuable floor space. The high powered, integral precision spindle structure is mounted using precision double row roller bearings in conjunction with angular contact ball bearings for high rigidity and accuracy. The spindle quill inner and outer linings are precision ground for fit with the spindle, thus ensuring extreme concentricity and accuracy. Using the integral spindle motor, both high power and high torque are provided along with rapid spindle acceleration and deceleration for fastest cycle times. The motorized spindle is water cooled for

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Mirraco Blink 2010 Bike Check

January 7, 2012

This is one of the new Bikes that Mirraco has just released for the 2010 trails series It is called the Blink 2010 and is the second best trails bike in the Mirraco list, the full specs of this bike are below:: T/T length 20.8 top tube length Color 1 White / Cyan Color 2 Earthtone Frame full Crmo w/ integrated head tube, MID BB shell & welded seat-clamp Fork full Crmo Wheels Alex DM-22 front / DM-24 rear, DW 36h, painted front & rear, w/ alloy loose ball hubs: front 3/8 Crmo axle, rear 1pc driver cassette w/ 14mm hollow axle Tires Odyssey Mike Aitken 20×2.125 front, 20×1.95 rear Crankset 3pc Crmo 175mm w/ sealed bearing MID BB set Freewheel / Cassette 9t 1pc driver Pedals Black Label Graduate plastic w/ 9/16 Crmo axles Saddle Pivotal plastic Seatpost Pivotal alloy 25.4×180mm Stem forged alloy threadless 1-1/8in., front mount, 50mm ext. Handlebar 2pc Crmo 8.0 tall Headset FPD integrated 45/45 w/ angular contact bearings Brakeset Tektro U-brake rear w/ soft baradine clear pads / Snafu C-Lever Other components Black Label 25t alloy sprocket, Duo Chris Doyle grips, 1 pair steel pegs 36mm OD Weight 25.4lbs

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